With more contenders than spots, Japan faces difficult Olympic decisions

Before 17-year-old Ami Nakai took the ice for her short program at the Grand Prix de France, few had her penciled into their Olympic predictions.

Three and a half minutes later, that completely changed.

Nakai stunned the crowd as she cleanly executed a triple axel in her senior Grand Prix debut. With a look of disbelief in the kiss and cry, she posted a personal-best 78 points. She followed that with another personal best in the free skate. She went on to win the event, besting three-time world champion Kaori Sakamoto, Rion Sumiyoshi and world bronze medalist Isabeau Levito.

All three Japanese women who competed in France landed on the podium — and that’s only a glimpse of how deep Japan’s women’s field runs.

Right now, the Japan Skating Federation (JSF) has at least five or six women who could feasibly contend for an Olympic medal. But the federation, like every other, only has three spots to send to Milan. It’s a good problem to have, but also a painful one. Talented athletes at the pinnacle of their careers will have to stay home, missing out on the dream they’ve chased their whole lives.

So, how do you choose?

Figure skating is an unpredictable and subjective sport. A strong performance at a Grand Prix or national championship doesn’t guarantee success under Olympic pressure. Some federations simply take the top three from nationals; others weigh international results and overall consistency.

Japan has historically done the former, a system that has stirred controversy — like in 2022, when Mana Kawabe edged Mai Mihara for the final Olympic spot after she won the bronze medal at the national championships. Kawabe, with far less experience, didn’t replicate her domestic success on the world stage.

Here is the state of play of the Japanese women’s field heading into November.

Kaori Sakamoto

VANCOUVER, BRITISH COLUMBIA – OCTOBER 28: Kaori Sakamoto of Japan performs to a first place finish in the Women Free Skating during the ISU Grand Prix of Figure Skating – Skate Canada International at Doug Mitchell Thunderbird Sports Centre on October 28, 2023 in Vancouver, British Columbia. (Photo by Harry How – International Skating Union/International Skating Union via Getty Images)

It’s fair to say Olympic bronze medalist and three-time world champion Kaori Sakamoto is a shoo-in for Japan’s Olympic team. By far the most experienced and decorated skater in the field, she continues to be the standard for consistency.

Sakamoto, 25, swept every competition during the 2023–24 season. Last season marked the first time she wasn’t atop the world podium since 2021, when she earned silver behind Alysa Liu at the World Championships in March.

Sakamoto is now excited to feel the relief of no longer being the one everyone is chasing

“Up until now, there was always talk about consecutive titles or being the favorite to win, but starting over from zero has given me a sense of relief,” Sakamoto told Nikkan Sports. “It’s significant for me to now be in a position of chasing rather than being chased. Experiencing that at this World Championships has been a major milestone and turning point for me.”

Even though Sakamoto may no longer be the clear favorite, you can never count her out — ever. It wouldn’t be a surprise if she won it all in February. This is, after all, the same athlete who at the 2023 World Championships popped her triple flip, regrouped immediately, and nailed the triple toe in combination.

She’s a fighter, and even without the ultra-Cs, Sakamoto makes up for it with unmatched technique, artistry and consistency.

Barring any major setbacks, Sakamoto will be in Milan.

Ami Nakai

Winning gold at a first senior first Grand Prix is no easy feat, and it immediately raises Ami Nakai’s stock in the eyes of the Japanese federation. Nakai was best known for her bronze medal at the 2023 World Junior Championships, but her results in the seasons since had been modest — until now.

Nakai was super successful in the junior circuit, but senior-level competition is a whole different level. Nakai’s inexperience is something extremely important to note. Still, her overall performance in Angers earned her the second-highest score among Japanese senior women ever in the modern scoring system.

And whether fans like it or not, her triple axel makes her competitive.

Nakai’s biggest challenge will be proving she can deliver clean skates consistently, as she did in France. It’s not just about landing the triple axel — it’s about scoring high enough to stay in the mix with the world’s top skaters. Of course, making that triple axel more consistent would help.

Her next test comes this weekend at Skate Canada, where a podium finish is within reach if her triple axel rotation is solid. A medal there would significantly boost her chances of qualifying for the Grand Prix Final in her first senior season. If that happens, it will be impossible for the JSF to overlook her.

Nakai already skates with maturity beyond her years. However, sending a first-year senior to the Olympics would put her under immense pressure — It’s a classic risk-versus-reward situation for the federation.

Mone Chiba

Mone Chiba burst onto the international scene in 2023 when she won bronze at the Four Continents Championship at age 17 — and she’s remained among the elite ever since. She followed that up with a Four Continents title in 2024, and is the reigning Grand Prix Final silver medalist and bronze world medalist, solidifying her as one of Japan’s top contenders.

Her short program, “Last Dance,” which she brought back from last year, has become a crowd favorite. After years of waiting for her breakthrough, it finally came last season as Chiba has shown major artistic growth, skating with fluidity and maturity that reflects her experience.

She’s looked solid so far this season, winning the Kinoshita Cup last month. Her first Grand Prix assignment, Skate Canada, will serve as a valuable litmus test to compare her against Nakai — a similar matchup that took place between Sakamoto and Nakai at the Grand Prix de France.

Like Sakamoto, Chiba’s strength lies in her reliability and skating skills. Her programs flow well, and she has proven that she can deliver under pressure. She rarely takes falls, and her under-rotations have improved slowly but surely. That reliability is something the federation will value.

A dark horse for an Olympic podium, Chiba is small in stature but powerful on the ice, skating well beyond her years.

Rinka Watanabe

MISSISSAUGA, ONTARIO – OCTOBER 28: Rinka Watanabe of Japan performs during the women’s short program during the ISU Grand Prix of Figure Skating – Skate Canada International at the Paramount Fine Foods Centre on October 28, 2022 in Mississauga, Ontario. (Photo by Dustin Satloff/International Skating Union via Getty Images)

Right now, Rinka Watanabe finds herself on the outside looking in, but is still very much a threat. Watanabe is one of the most up-and-down skaters, but has put herself back in the conversation after earning bronze at the Cup of China, though not without some stumbles.

She was second after the short program, landing a clean triple axel, but her free skate unraveled. She attempted a risky triple axel–triple toe combination and fell, popped a triple loop, and under-rotated several jumps. Her short program score ultimately carried her to the podium.

Given her rough start to the season, and the fact that she even contemplated retirement, her medal in China came as a surprise.

The biggest criticism of Watanabe has always been her inconsistency in big moments. That quality is crucial in Olympic contention. Equally important is the ability to make smart, strategic choices mid-program — her decision to attempt a 3A–3T combo, when the solo triple axel remains shaky, nearly cost her a medal in China.

Still, earning a Grand Prix medal could help reignite her confidence and remind both herself and the federation that she can hang with the top contenders.

Watanabe’s breakout came in the 2022–23 season, when she shocked the skating world by winning Skate Canada with a solid triple axel and qualifying for the Grand Prix Final in her first senior campaign. Before that, she was relatively unknown after a quiet junior career.

Since then, however, inconsistency has plagued her. She hasn’t been selected for Worlds since that breakout season. Her struggles at Japanese Nationals are also a concern, as her best finish is sixth. Even in her breakout year, she placed 12th at Nationals, though the JSF still took a chance by sending her to Worlds, a decision that ultimately didn’t pay off as she placed 12th.

Watanabe could still slip through the cracks and earn a spot if she can fully regain her triple axel and show improvement as the season progresses, not regression. She’ll need to prove she can be trusted to deliver when it matters.

Her next test comes at Skate America, where she’ll face others in similar positions, Hana Yoshida and Wakaba Higuchi, all fighting to stay in the Olympic conversation.

Wakaba Higuchi

We haven’t seen much from Wakaba Higuchi this season as she continues to deal with foot pain and illness. She’s expected to return at the NHK Trophy, though details about her injury and recovery remain unclear.

Higuchi is one of only two skaters on this list, along with Kaori Sakamoto, who has Olympic experience. Many fans still argue she was robbed of a higher placement after her stunning short program at the 2022 Beijing Olympics, but that’s a story for another time.

After the Olympics, Higuchi had a quiet two seasons, taking time off to recover from a stress fracture. Many assumed she was done, but she delivered one of the most memorable comebacks of recent years.

At the 2024 Skate America, her first competition of the season, Higuchi shocked the field by winning gold — her first-ever Grand Prix title after debuting on the circuit in 2016. She followed that up with a silver medal at Grand Prix de France, a berth to the Grand Prix Final, and a bronze at Japanese Nationals. She capped the season with a sixth-place finish at Worlds, where some felt she was underscored despite a few under-rotations in her free skate.

For much of last season, Higuchi looked close to her Olympic peak — fast, clean and polished. Her skating skills and maturity continue to set her apart.

Health will be the key factor this season. While she’s unlikely to attempt the triple axel again and her technical content isn’t the most difficult, her strong program component scores and artistry help her stay competitive.

Like Sakamoto, she announced that this will be her final competitive season.

Though a fan favorite, Higuchi remains a dark horse for Milan. She’ll likely need a podium finish at nationals and a clean bill of health to secure her Olympic spot.

Rion Sumiyoshi

SAPPORO, JAPAN – NOVEMBER 19: Rion Sumiyoshi of Japan competes in the Women’s Free Skating during the ISU Grand Prix of Figure Skating NHK Trophy at Makomanai Sekisui Heim Ice Arena on November 19, 2022 in Sapporo, Japan. (Photo by Toru Hanai – International Skating Union/International Skating Union via Getty Images)

At 22, Rion Sumiyoshi has been on the senior circuit for several years, and many are still waiting for her major breakthrough. She’s had flashes of success, earning five bronze medals and one silver on the Grand Prix circuit, and even qualifying for the Grand Prix Final in 2023.

Most recently, Sumiyoshi captured bronze at the Grand Prix de France. She entered the free skate in fourth place but climbed to third after a clean performance, popping only a triple salchow while landing a quad toe — though it was under-rotated and did not receive full value.

While not the most popular or highest-scoring skater, Sumiyoshi has a knack for finding her way onto podiums. Her quad toe sets her apart, though it remains inconsistent, and quads alone no longer guarantee medals in women’s skating.

Like Watanabe, Sumiyoshi has struggled at Japanese Nationals, where her best finish is eighth. That’s largely why she has never been selected for major championships such as Worlds or Four Continents.

Despite her extensive international experience, sending her to a championship would still be a risk given her lack of exposure at those events. Some argue her quad toe attempts are unnecessary, but if she can stabilize that element and deliver strong skates at Nationals, she could keep herself in the mix, however slim the odds are.

Her next assignment is the Finlandia Trophy.

Hana Yoshida

Once heralded as the next big thing in Japanese women’s figure skating, Hana Yoshida has struggled with inconsistency this season, particularly with visible rotation issues.

She placed eighth at both the Kinoshita Trophy and Nebelhorn Trophy, with scoresheets covered in red for under-rotations and edge calls.

At the Cup of China, Yoshida finished second to last — a shocking result given her past success. She battled under-rotations on even her easier jumps, popped a triple loop and triple flip, and fell on an attempted triple axel.

Just a season ago, Yoshida was one of the top athletes in the field. Over the past two Grand Prix seasons, she’s won two golds and two bronzes, qualifying for the Grand Prix Final both times. She earned bronze in 2023 and placed fifth last season. Her triple axel, when landed cleanly, was one of the best in the field.

At only 20, Yoshida skates with striking maturity and originality. Her programs have been praised for their creativity and uniqueness.

Like Watanabe, Yoshida struggled at Japanese Nationals during her breakout senior debut despite earning a Grand Prix Final bronze that same season, placing eighth at Nationals. Still, the Japan Skating Federation sent her to Worlds, where she finished eighth. That remains her only Worlds appearance.

This season, she looks far removed from the confident Grand Prix finalist she was last year. Whether it’s due to injury or a loss of confidence isn’t clear, but it will take a lot for her to regain the federation’s trust in just a couple of months.

It also underscores just how deep Japan’s women’s field is — when a recent Grand Prix Finalist can fall out of contention within months. Right now, it doesn’t appear Yoshida has the full backing of the JSF.

Rino Matsuike

In many eyes, Rino Matsuike remains one of Japan’s most underrated and underscored skaters. Her quality of movement, musicality, and skating skills are exceptional, and her step sequences are among the most difficult in the field — though her scores don’t always reflect it.

Matsuike was one of last season’s surprises, earning two silver medals on the Grand Prix circuit and qualifying for the Grand Prix Final, where she finished last after battling severe under-rotation issues.

She placed fifth at Japanese Nationals and narrowly missed making the Worlds team, instead being sent to the Four Continents Championships, where she finished 11th after popping jumps and struggling with under-rotations.

At this year’s Cup of China, Matsuike showed notable growth in artistry and performance, skating two well-constructed programs. Her short program featured one of the most difficult and intricate step sequences of the season, but she still appeared underscored in the program components. Two fluke falls in the free skate didn’t help, and she finished sixth.

A detail-oriented and refined skater, Matsuike’s attention to precision often sets her apart — but she hasn’t yet proven she can deliver a completely clean skate in high-stakes moments. Like Yoshida, she doesn’t seem to have the strong backing of the federation, which could make Olympic selection an uphill battle.

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氷の上の「物語」:三宅星南選手がグランプリシリーズ、今季プログラム、全日本選手権について語る

To read the English version, click here. 昨シーズン全日本選手権で6位、五輪では三番目の補欠、四大陸選手権で四位という好成績をあげた三宅星南選手は、10月には2つのグランプリ大会に向けてさらなる飛躍を目指していた。三宅選手はスケート・アメリカとグランプリ・フランスに出場したが、残念ながら今回は思うような結果を出すことはできなかった。シーズン集大成となる埼玉での世界選手権(2023年3月20日-26日)への出場権を獲得するため、トップスケーターと対戦する全日本選手権を前に、三宅選手は今の思いを語ってくれた。 2002年に岡山県で生まれた三宅選手は、2006年からスケートを始め、2020-21シーズンの全日本ジュニア選手権で3位に入るなど、年々順位を上げてきた。2020年のNHK杯で9位に入賞したのがグランプリデビューだが、この大会は新型コロナウイルスのため日本の選手のみが出場した大会であった。 昨年の全日本選手権で表彰台に上がったのは今年2月に行われた五輪に出場したスケーターたち(羽生結弦、宇野昌磨と鍵山優馬各選手)だった。日本連盟はその次の三名を四大陸選手権に派遣することを決定し、6位入賞の三宅選手は、今シーズン好調な三浦佳生、友野一希各選手とともに四大陸選手権に出場することができた。 2022年四大陸選手権では、三宅選手はショート、フリー、合計得点で自己ベストを更新する力強い滑りを見せ、総合4位。銀メダルと銅メダルは日本のチームメイトが獲得し、金メダルは韓国のチャ・ジュンファン選手が獲得した。「四大陸選手権で4位になれたことはとても自信につながりました」と三宅選手は語ってくれた。「また、四大陸選手権に出場出来たことでやっとスタートラインに立てたような気がしました。」 © Sena Miyake | Instagram 7月には、6つのグランプリ大会のうち、最初の大会であるスケート・アメリカに出場することが決まった。さらに、五輪で銀メダリストの鍵山優馬選手が怪我のためフランス大会を欠場したことに伴い、アンジェへの出場も決まった。2022-23シーズンは新しいオリンピックサイクルの始まりなので、多くのスケーターは次の五輪を見据えて目標やゴールを 設定している。それは三宅選手も同様で、グランプリ大会の前に「今シーズンは4年後に向けての土台作りのシーズンにしたいと思っています。そのためグランプリシリーズに2戦出場させていただけるのは自分自身にとってとてもいい経験になると思うので、成長できる試合にしていきたいです」と語ってくれた。 スケートアメリカ2022では、17歳のイリア・マリニンがフリーで四回転アクセルを成功させ、観客の喝采の中、シニアグランプリのデビュー戦を金メダルで飾った。チャ・ジュンファン、三浦佳生、ダニエル・グラスルら強豪選手とも対戦した三宅選手は、思うような演技ができなかった。ショートプログラムでは、トリプルアクセルで転倒してしまい、合計点から2点減点された。6位で迎えたフリーでは、転倒やジャンプパスの減点などのミスがあり、総合9位まで順位を落とした。 2週間後のフランス大会のショートプログラムでは、トリプルアクセルをシングルで跳んでしまったため無効となり、10位にとどまった。最終的には体調不良のためフリーを棄権することになり、「グランプリシリーズ2戦とも自分自身にとってはとても残念な結果にはなりました」と三宅選手。それでも、「とても成長できる機会を与えてもらえたと思っています。」そして、これらの大会を今後のバネにすることも考えているようだ:「この経験を活かして全日本ではベストを尽くしたいと思います。」 アメリカ、フランスともにショートプログラムで滑った『Unchained Melody』は、1990年の映画『ゴースト』で有名になった曲で、三宅選手が昨年から滑っているプログラムだ。「今シーズンは今年の2月に作っていただいたプログラム『愛の夢』を滑ろうと思っていたのですが、新ルールに変更になったこともあり、手直しをして頂いたプログラムがなかなかしっくりきていませんでした。そこで試しに昨年使用していたプログラム『Unchained Melody』を滑ってみたところもう一度使いたいと思い、昨年のプログラムに戻すことになりました。」 『Unchained Melody』は、柔らかく始まり、情熱的なフィニッシュへと盛り上がっていく曲。三宅選手の音楽的、感情的なスケーターとしての長所がすべて発揮できる曲だ。 彼の強味は今期のフリープログラムの『タイタニック』でも生かされており、昨シーズンの『白鳥の湖』と同じようなスタイルになっている。タイタニック号が出航するところから始まるフリーは、ステップとコレオシークエンスのディテールや表現に注意を払いながら、観客を物語に引き込んでいく。『タイタニック』、『白鳥の湖』ともに、バレエや映画の大作を4分間という短い時間で表現し、物語を語る試みだ。「昨年の『白鳥の湖』も今シーズンの『タイタニック』も、音楽を聴きながら自分なりに物語の流れであったり、どういう場面なのか想像して表現に落とし込んでいます。」昨年の『白鳥の湖』の衣装は、バレエで見られるような王子様のシャツに、片方の肩と腕に沿った黒い羽を組み合わせたもので、印象的だった。「衣装に関してはその曲や作品に登場する人物をイメージして作って頂いています。タイタニックでは主人公のジャックをイメージして作って頂きました。」このように、三宅選手の衣装は演じる人物、そしてこの人物を通しての物語や世界観を表現する大きな役割を果たしており、ジャンプなどの技術的な要素を超えて、観客や審査員に感動を与えている。 © Sena Miyake | Instagram これまでの経験を踏まえ、この先を見据え、三宅選手が大切にしているのは「成長」。4回転トウループとサルコウを使いこなし、繊細な演技からパワフルな演技まで、多彩な能力を持つスケーターであるだけに、今後の大会やシーズンにおいてTESやPCSがどのように成長していくのが楽しみだ。今シーズン、観客やファンに注目してもらいたいところはあるかとの問には、「今シーズンはプログラム全体のスケーティングのスケールの大きさを観て頂きたいです。昨年に比べ自分自身身体的にとても成長出来ていると感じていて、スケーティングスキルも成長していると感じています」と答えてくれた。 全日本選手権は毎年激戦で知られている上、今シーズンのグランプリファイナルに出場した6人のうち4人が日本人であり、スリリングな大会となることは間違いない。その他の種目でも、女子では坂本花織、三原舞依、渡辺 倫果、住吉 りをん、河辺 愛菜、そしてアイスダンスでは村元哉中/高橋大輔、小松原美里/小松原 尊など、今季のグランプリ大会でお馴染みのスケーターたちが顔を揃える。三宅選手が好きで憧れているスケーターはたくさんいるが、「その中で1番憧れていて目標にしているスケーターは髙橋大輔選手です」と、かつて男子シングルに出場していた高橋選手の名を上げた。 © Sena Miyake | Instagram 来年3月に開催される世界選手権は、日本人選手にとって地元の観客の前で演技ができる特別な機会であり、その出場権を争いとなる全日本選手権も例年以上に白熱するだろう。前回世界選手権が埼玉で開催されたのは2019年:そのときは、羽生結弦がアメリカのネイサン・チェンに次いで2位、宇野昌磨が4位、田中刑事は14位となった。選手たちはよく自国の観客のエネルギーや雰囲気について語るが、三宅選手にとっても「日本で開催される世界選手権に出場するのは幼い頃からの目標です。全日本では今シーズン経験したことを更に活かしてベストを尽くせるようにしたいです。」 © Sena Miyake | Instagram 今シーズンはおそらく今までのどのシーズンよりも、フィギュアスケートがスポーツなのか、それとも芸術なのかという根本的な問いが前面に押し出されているのではないだろうか。むろんその両方であることには間違いないが、この2つがどのように作用し合い、補完し合っていかということを考えると、定義することの難しさの中にこそフィギュアスケートの美しさがあるように思われる。私たちは、スケーターがアスリートとアーティストの両方の役割を担う姿、技術と芸術の融合を何度も目にしてきた。 フィギュアスケートとは何か、たとえば5歳の自分に一言で説明するとしたら、という問に対して三宅選手はシンプルに答えてくれた:「「あなた物語」ですかね笑」。

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AnythingGOEs Fantasy Skating 2024 Rankings Overview

⭐Overall by discipline Overall Grand Prix 2024 Men (Singles) Women (Singles) Pairs Ice Dance Skate America 2024 Skate America 2024 by discipline Skate Canada 2024 Skate Canada 2024 by discipline Grand Prix de France 2024 Grand Prix de France 2024 by discipline NHK Trophy 2024 NHK Trophy 2024 by discipline

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