Nikolaj Memola: Reigniting the Flame

Guest post by Maya Bleszinski. Find them on Substack and Instagram.

Italy’s Nikolaj Memola on missing a home Olympics, the consequences of rushing recovery, & setting his sights on new goals.

As Italian figure skater Nikolaj Memola took to the ice for his short program at stage 2 of the Campionato Italiano, there were no doubts in his mind that in just a couple of months, he would be competing at the 2026 Milano Cortina Winter Olympic Games.

Hailing from Monza, a smaller city just 20 minutes northeast of Milan, the 2025 Vice European champion and 2022 Junior Grand Prix Final champion was confident that he would achieve the highest honor of not just representing his country in the Games, but skating for a hometown crowd. The Campionato was simply a stepping stone on his way there, one last competition to get his feet underneath him before the National Championships—where Italy’s Olympic team would be formally selected—took place.

But as Memola began his short program and skated into his opening quadruple lutz—a jump that he had landed in competition countless times before—he had no way of knowing what was to follow. When he vaulted up into the air, he couldn’t have anticipated the hard fall that he’d take upon landing. And he certainly couldn’t have known that fall would cost him his dream of skating at a home Olympics.

Memola during his free skate at 2023-24 Italian Nationals – by Alessia

Memola is no stranger to injury, or to skating through it. At his very first senior Grand Prix in 2023, he dislocated his shoulder during the six-minute warmup, and still went on to compete after a quick consultation with his physiotherapist. But this time, it was different. This time, when he got up after the fall and attempted to skate the rest of his program, he knew immediately that something was incredibly wrong. 

After a rough triple axel landing, Memola stopped his program and withdrew from the competition. As he stepped off of the ice, only one thing was going through his mind.
“I was thinking about the Olympics,” he said. “It was my first thought.” 

Memola knew nearly immediately as he and his mother and coach, Olga Romanova, rushed to a nearby emergency room in Torino that the severe pain in his pelvis was very likely signifying a season-ending injury. But he was hesitant to accept the reality. Accepting reality would mean that everything Memola had worked for over the course of the season, all of the countless hours of training and sacrifices he’d made, would be for nothing. 

In hopes that he could make a miraculous recovery in time for the National Championships, Memola traveled to Rome for a couple of weeks to undergo rehabilitation at the Olympic Training Center. 

“I’m a really proud person,” he reflected on the decision. “So I said, ‘I’m gonna try ‘till the end.’” 

Memola during the Short Program at Grand Prix de France 2024 – by Verit

A Roaring Start

Back in early September 2025, any figure skating fan would have had a difficult time believing that Nikolaj Memola would miss making the Olympic team. Beginning his season at Lombardia Trophy, Memola landed three quadruple lutzes and a quadruple flip across his short program and free skate to put up a huge personal best score of 265.37. This score was more than enough to secure him the bronze medal, landing him only behind Yuma Kagiyama of Japan and Ilia Malinin of the United States of America, who were thought to be the two decisive contenders for Olympic gold in a few months’ time. By winning the bronze medal in the first major international event of the season amongst an incredibly deep field of men, Memola had shown that he was well-positioned for the season ahead.

This feat was not achieved without an off-season full of relentless work. Memola spent his summer training at Great Park Ice in Irvine, California, with legendary coach Rafael Arutyunyan, who has trained the likes of Michelle Kwan, Nathan Chen, Mao Asada, and Malinin. His goal was to improve the consistency of his quadruple jumps as well as to add some new ones into his arsenal, improving his technical content ahead of the season. 

“I wanted to be ready the quickest and to show readiness from the first competition because I feel like it’s always a good impression,” Memola remarked on his approach. 

Surprisingly, knowing that his end goal for the season was the Olympics didn’t stress him out or add any pressure onto his shoulders—it only added fuel to his fire. 

“It was tough, but at the same time, it was great motivation,” Memola mused. “…You were kind of ready to take the stress and use it as fuel.” And use that stress as fuel, he certainly did. 

Between taking the bronze medal at Lombardia Trophy, his silver medal from the 2025 European Championships, and his top 10 finish at the World Figure Skating Championships just six months prior, which secured two spots for Italian men in the Olympic figure skating event, Memola’s placement on the Olympic team seemed all but guaranteed.

“There was not even a question for me,” Memola said of his confidence that he would be named to the team. “I was extremely ready. I was really, really on top of myself, and if it was not for injury, of course, I knew it… I didn’t have many doubts.”

Back Down to Earth

However, not everything was as it seemed. Behind the scenes, Memola was dealing with a minor muscular injury that had caused him problems in Irvine… and after Lombardia Trophy, it flared up again.

Regardless, Memola was not too concerned. He was on top of the world, and eager to do even better at his next competition: Nepela Memorial, which would take place at the end of September. He’d left a few points out on the table at Lombardia Trophy, and was looking forward to improving his score. His medal served as great motivation as he dived right back into training—perhaps too great.

“I should’ve had some rest after [Lombardia Trophy]… it was a really tough recovery from that competition because I was really excited,” Memola reflected on his approach to skating in the following weeks. “… I should have just stopped there and taken maybe a couple weeks, just to let everything heal and recover. 
But from the excitement and adrenaline that Lombardia gave me, I kind of had to keep [skating], and then I realized that was the main problem.” 

In his excitement to prove himself at the top of the field, Memola was neglecting his own body and ignoring his injuries, pushing through pain in hopes of keeping his strong momentum. For the first time that season, Memola was going to attempt two quadruple jumps in the short program—the flip and lutz, two of the most difficult quads—and he was entirely confident in his abilities.

Memola during the Short Program at 2025 Skate America – by IvyXby

His momentum crashed and burned. While initially one of the favorites to win the event, Memola fell on his quadruple lutz in the short program and had an error-ridden free skate, causing him to finish the event in eighth place. Meanwhile, the other two Italian men who competed in the event alongside Memola, Matteo Rizzo and Daniel Grassl, finished on the podium in second and third, respectively. With only two spots for Italy on the line and three strong contenders, many other competitors in his shoes would have worried after these results. 

But Memola never wavered in his faith, despite his rapidly declining physical health. “My mindset never changed,” he said. “I was really working hard, so I knew that if everything went well, I would have been on that team. I never really changed my approach [to competition], to be honest. 
It was kind of just starting to realize maybe that I should have taken care of my body a bit more in time.”

Unfortunately for Memola, this lesson was learned far too late. He continued on with his season, competing in the ISU Grand Prix of Figure Skating Series at Skate Canada and Skate America. At Skate Canada, he became the first Italian man to land both a quadruple flip and lutz in the short program – but finished in sixth place overall due to a low components score, as well as technical errors made on his spins and step sequences. At Skate America, he struggled through both his short program and his free skate, finishing in seventh place overall.

 “I was training well, but my physical state kind of started to get worse and worse every [competition],” he admitted. 

Through it all, he still remained levelheaded and confident. Though Grassl qualifying to the Grand Prix Final all but solidified his place on the Olympic team, Memola still narrowly held the advantage for the second spot ahead of Rizzo, his training mate. At Nationals, Memola planned to water down his technical content and instead focus on a clean skate. The Campionato was meant to be the test run.

Then the fall happened.

On its own, one singular bad fall might have been fine. If it had been a one-time occurrence, a fluke mistake, Memola might have been able to get up and continue on through the rest of his program. But by this point, when he had been dealing with multiple minor injuries for months and attempting to skate through them on painkillers? The fall became catastrophic, an ugly culmination of the pain that Memola had attempted to endure up until now. The fall ended up changing everything.

Denial

Memola traveled down to Rome for rehabilitation knowing that he was already off of the Olympic team, but still determined to fight. He had roughly three weeks to be ready for Nationals, and now that he was dealing with a major injury, the stress and anxiety that he had managed to evade came rushing out as the reality of the situation set in.

“When I went down, I was sleeping really badly and having nightmares about [the Olympics],” Memola remembered of the fear that overcame him.

Even worse, Memola’s arrival to Rome almost perfectly lined up with that of the Olympic Torch, which was being passed around Italy as the Milano Cortina Games approached. Everywhere Memola looked, whether in the training center or on his excursions around the city, he was trapped by reminders of what was nearing. 

Memola recalled a conversation that he had with his physiotherapist as the torch was being carried through the city.

“I literally said, ‘I can’t escape,’” he remembered.

He had friends and family alike telling him it was a good omen to go and see the torch, but Memola declined to go, instead choosing to enjoy the day alone. It isn’t a decision he regrets. And as he settled into life at the Olympic Center, he found that his anxiety slowly began to ease up.

He realized fairly quickly that he was not alone. 

“Many [other] athletes were there, getting recovery, ” Memola said. “So I learned from them. I was surrounded by people that were very wise, so that’s why it was pretty easy for me, because everyone was kind of… reassuring me. But if I was alone, it would’ve been a hard time.”

Being surrounded by others who understood what he was going through helped him to accept his own situation, and to ultimately realize that missing out on the 2026 Olympic team wouldn’t be the end of the world.

Memola also cited his mother, Romanova, as his biggest cheerleader and supporter during this time, recalling that she always knew the right words and was always reassuring him.

“She was always saying, ‘It doesn’t matter if you don’t qualify to the Olympics. That’s not going to define you as an athlete.’”

He took that advice to heart.

Memola came back to Milan with a much better mindset, even if his physical condition wasn’t much improved. Though he wanted to compete at Nationals, he still couldn’t jump or do more than glide on the ice. At the advice of the Italian federation, he withdrew from Nationals—only for it to be announced a week later that Rizzo and Memola would be competing against each other for the second spot at the European Championships, and whoever placed higher out of the two would go to the Olympics. Once again, Memola found himself having roughly three weeks to recover and prepare.

Memola at the 2024 Grand Prix de France – by Verit

Acceptance

In 2025, Memola went into the European Championships with his eyes on a medal. He walked away from the event a vice European champion, and used the momentum to propel himself forward to a top 10 finish at World Championships the following month. This past January, however, he went into Europeans with a much different goal.

“I was hoping to make the free,” Memola said. “That was my only goal. I was not ready at all.”

By that point, he had only been jumping again since the day before New Year’s Eve, and had not completed a full run-through in practices. He would not be attempting a quadruple lutz in the short program, and he’d only restored his triple axel a week prior. At European Championships, only the top 24 skaters after the short program advance to the free skate. Memola was not even sure he’d be able to do enough to place in the top 24.

Not to mention the fact that he was still skating in pain. Memola was not fully recovered from his pelvic injury, and taking painkillers every day in hopes that they would lessen the pain caused by the impact of jumping.

He went into Europeans nervous, to say the least. And the period leading up to the competition—where he was training alongside Matteo Rizzo, the man whom he’d be competing against for the Olympic spot, every day—didn’t help either. 

“I was really grateful [the federation] gave me that opportunity, but the rules were kind of changed for me,” Memola explained. 

The Federazione Italiana Sport del Ghiaccio—the governing body for figure skating in Italy—has a complicated criteria for Olympic selection. The federation is supposed to consider the top two scores achieved by each of their athletes in the season, and results from Nationals are factored in. Given that Memola did not compete at Nationals, Rizzo narrowly beat him in the criteria. A skate-off for the second men’s spot at Europeans was unprecedented for FISG, and completely bends the established rules. Skaters and fans alike were outraged by the announcement, feeling that Rizzo had earned the spot. 

“The public opinion was not amazing, and of course, everyone was kind of bitter in that situation. But I 100% understand because everyone is running after the same goal,” Memola said. “But it was not the best time… Matteo and I were not vibing as we usually did.”

At the same time, his lowered expectations helped to alleviate some of the stress that other Europeans-bound athletes at his training facility were feeling.

“I was just trying to get back to my triples,” Memola explained. “[Last year] at that time I had to do run-throughs with multiple quads, and now I was just doing short programs with doubles… for me, it was like enjoying my life. I was just waltzing around the rink and trying to connect stuff together.”

For Memola, the pressure was off. He had no illusions of making the Olympic team and no expectation that he would medal again, and perhaps it is for that reason that he raised both of his fists triumphantly in the air after finishing a clean short program at Europeans.

“I was just happy to be alive,” he recalled of that moment. “I knew that what I was doing was not in any case competitive… and Matteo had a good skate, so I was like, ‘You know what? Let’s enjoy it.’”

And enjoy the moment, Memola did. With a clean short program and decent free skate, both comprised of all triple jumps, he collapsed to the ice grinning after wrapping up his free. Memola finished the competition in 11th place, which just one year prior might have been a source of extreme frustration and disappointment. But for a skater who was still reliant on painkillers and wasn’t even sure that he would qualify for the free, just being out there on the ice meant the world to him.

“It doesn’t make sense for me to be upset about it. It doesn’t make sense for me to dwell on it,” Memola said.

Rizzo, on the other hand, finished the competition in second place and decisively won the spot. Memola had accepted that he would not make the team the moment his free skate had finished, so it wasn’t difficult for him to congratulate his teammate after the event had ended. Another skater might have been bitter over the entire situation. Memola felt nothing but happiness for his competitor.

Four weeks later, Italy won a historic bronze medal on home ice in the figure skating team event. Rizzo was a big part of this effort, placing third in the men’s free skate and securing the team made up of Memola’s friends and competitors their first-ever team event medal. Memola watched from his home, just minutes away from the Milano Ice Skating Arena

“Of course, it’s kind of hard because you’re like, ‘I could have had the medal.’ But at the same time, I was like, you know what? Whatever, good for them… I’m not someone that rains on other’s parades,” Memola said. “I was happy for them because honestly, they really deserved it.”

Looking Ahead

Now the Olympics are over. World Championships have concluded, and the 2025/26 figure skating season has ended. Which leaves the question of what Memola, who has not competed since the conclusion of Europeans, will do next.

Many figure skaters see the Olympics as an end goal, as the culmination of everything that they’ve worked toward in their career. To work tirelessly towards that goal only to end up not making it is heartbreaking. Either way, the number of retirements in figure skating in a post-Olympic season skyrocket, whether due to heartbreak or contentment. 

For Memola, however, Milano was never the end. 

Memola in the Free Skate at the 2025 European Championships – by Klaudia

“I never expected it to be my last competition. It was just a rite of passage,” he said. “Of course, it’s the Olympics in your home country, so you always wanted to be ready, to be a part of it. But at the end of the day, it was never my main goal.”

He added that he doesn’t plan on retiring any time soon, hoping to compete even after the 2030 Olympic Winter Games in the French Alps.

While it’s been a long season for Memola, it hasn’t been entirely awful. When he was recovering from injury back in November, he did not skate for a month. Elite figure skaters train anywhere from four to eight hours a day, six to seven days a week, so not being able to be on the ice was agonizing. When he finally was able to skate again, a switch seemed to flip.

“It was hard to love [skating] while I was training for the Grand Prix,” Memola recalled, undoubtedly feeling the stress of having to make an Olympic team.

But stepping back onto the ice again with that burden off of his shoulders changed everything.

“I was like, ‘oh, I love to do this.’ …And when I was competing [at Europeans], I was like, ‘I love to do this again. And I’m really upset that I can’t do it at my full capabilities.’
But apart from that, I loved it. When I came back, I was super, super happy,” he said.

Not one to dwell on what could have been, Memola now looks ahead to next season—and he’s dying to get back out on the ice again. He hasn’t skated at all since European Championships, as his injury worsened after attempting to compete on it. He isn’t in a hurry to get back on the ice before he’s fully healed, as one lesson he’s taken away from this season is to take the time to recover when need be, and to listen to his body.

“I just need to be patient and try to make everything work. And not rush things, because that was the problem for the whole season,” he admitted. Though he’s restless and bored being unable to skate, the forced break has also given him time to reconnect with family and friends. And it’s also served as a well-needed reminder as to why he does love to skate in the first place.

“[Being injured] kind of made me rediscover passion in skating, because I’m here sitting on my bed, I’m listening to new music to do programs to… and I can’t wait to be back,” he said.

Memola has high aspirations for next season, and will not let injury hinder him. He plans to spend the off-season training in Irvine again, where he’s found a good environment that both nurtures and pushes him. He seeks to restore and to improve upon his jumps, and to get a good new set of programs.

His primary goal above all else, however? Finally capturing that elusive Grand Prix medal.

“I’m so over it,” he said bluntly, having never finished higher than fifth on the Grand Prix series. “My main goal is to get a Grand Prix medal. I just want it.”

Beyond that, he seeks to improve upon his placement at the World Championships, having finished ninth in 2024 and 10th in 2025. He also has his eye on the Europeans podium again, and looks forward to being able to properly compete again.

And beyond this season, he already has his sights set on the French Alps in 2030.

“I would be lying if I said I wasn’t thinking about it… my mind is already set on that,” Memola admitted. “It’s four years, but four years is very, very quick… I just want to take it slowly, but at the same time, I want to keep that in mind so I’m gonna be able to get to that season at the best of my abilities… that’s going to be the main goal.”

With his newfound motivation being four years away, Memola is going to train just as hard as he always has, so that he’ll be ready when the years inevitably fly by. This time, though? He’s going to take things just a little more slowly.

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ステファン・ランビエルとの談話 A CONVERSATION WITH STÉPHANE LAMBIEL (JAPANESE TRANSLATION)

Thank you so much to Slambielfp for translating this article into Japanese! Find the English version here. 二度の世界チャンピオンに輝いたステファン・ランビエルは昨年、教え子の宇野昌磨も世界チャンピオンになるという節目を迎えた。ステファンは、昌磨と同じように、その栄光に甘んじることなく自らを駆り立て、教え子たちに革新と向上を求め続けている。彼のスケートに対する情熱的な愛情は、その言動や行動全てから伝わってくる。彼の話を聞いていると、スケートは単なるスポーツではなく、芸術と感情で人々をつなぐ超越的な存在になりう得るのだと思えてくる。 ブラティスラヴァで開催されたオンドレイ・ネペラ・メモリアル・トロフィーで、男子フリーの練習後、ステファンに話を聞いた。彼の教え子であるデニス・ヴァシリエフスは、ショートプログラム冒頭の4回転サルコウで激しく転倒し、4位という残念な結果に終わっていた。 ここまでの競技を振り返っていかがですか?昨日は大変でしたが、全体的にはどうでしたか? 全体的には…彼にとってはもちろん挑戦的な一歩目だと思います。シーズン初戦でしたし、ショートプログラムで4回転サルコウに挑戦したのも初めてでした。その最初の一歩でした。新しいプログラムで初めて挑戦したことがたくさんあったわけです。そう考えると、確かにベストを尽くしたとは言えないと思います。でも、彼がしてきたこと、努力してきたこと、準備してきたことは評価しています。でも、鍛錬と、自分がやってきたことや自分が何者であるかへの信頼や信念があれば、彼や私が想像しているような成果を披露することはできると信じています。だから最初の一歩は踏み出せたと思います。そしてここから積み上げていきます。 最初の一歩を踏み出すということですね。 その通り、その通りです。 昨日のようなハードな一日の後、あなたやデニスはどのようにリフレッシュしていますか?昨日のことを引きずらずに今日を迎えるためにはどうすればいいのでしょうか? 大事なのは集中し続けることだと思います。ショートプログラムが終わっても、試合が終わったわけではありません。私たちが行ったのはクイックデブリーフィングといって、ショートプログラムが終わった後も試合に集中し、何が良かったのか、何が悪かったのか、何が取り組むべき課題なのかをすぐに伝えます。そして、フリープログラムに向けて身体を回復させ英気を養います。あまり感情的にならず、言うべきことを言い、それを吐き出し、気を散らしすぎないようにする。今日はフリーがあるので、2つのプログラムの間はかなり短くなっていますね。 今シーズン、どのような考えでショートプログラムに4回転を入れたのでしょうか。 彼は、それができることを自分で証明してきたと思います。だから、彼には自由に取り組んでほしいし、ショートでもフリーでも試合でやってほしいと思っています。そのリスクを負うには勇気が要ります。長期的に見れば、それが彼に必要なことであり、彼が望んでいることなのです。彼はフィジカルが非常に強いという意味でかなり強いスケーターです。でも技術的にも非常に強い。エッジのコントロールやジャンプの仕方などは、まさに教科書のようなテクニックを持っています。だからたとえ時間がかかるとしても、基礎はしっかりしていると思います。スケートでは物事のやり方というのがとても重要だと強く思います。だから自身の持つ素晴らしい能力に注力している彼と共に仕事をするのは本当に楽しいです。それに長期的に見ればこれはとても有益なことです。 昨日の練習でも美しい4回転サルコウが見られましたが、それを見て、もう準備はできているのだと思いました。あとはそれを安定させるだけですよね。 そう、それと、成功するには精神的な準備も必要だと思います。大きな挑戦ですね。彼にとって、これは大きな挑戦なんです。彼は大人で、背も高い。だから背が低くてタイミングを早く取れる人よりも、フィジカル面で難しさがあります。でも彼ならできます。信頼と一貫性をもってすれば、もっと頻繁に成功するようになるでしょう。 デニスのドヴォルザークのフリープログラムの振付の様子について少し聞かせていただけますか?交響曲全体からどのようにプログラムに落とし込んだのですか? あのプログラムで一番大変だったのは、音楽をカットすることだったと思います。私は交響曲全体が好きなんですが、交響曲全体…?わからないけど、多分30分くらいかな。  多分40分ですね。 ええ、その通りです。だから40分の曲を4分にする必要がありました。「ああ、どうしたらいいんだろう」という感じでした。サロメ(・ブルナー、ステファンと頻繁に仕事をする振付師)と私は交響曲を何度も聴いて、自分たちが重要だと思う部分に集中するようにしました。でも重要なことがたくさんありすぎて、それをまとめると、すべてがやりすぎなように感じられるんです。そこで、物語のリズムが調和の取れた流れになるようなパターンを見つけることが課題になりました。盛り上がって、盛り上がって、盛り上がって、そして見せ場がたくさんあるのがこの音楽というわけではない、ということです。だから、何かリズムを見つける必要があったんです。 私が楽しみにしていて好きな瞬間のひとつは、ステップシークエンスが始まる瞬間です。とても穏やかな気持ちになります。そして最後に大きなバレエジャンプで音楽が最高潮に達するときには殆ど時間が止まっているような感覚です。そして、最後の嵐の前の静けさが漂う瞬間がとても好きです。彼のスケーティングや姿勢などはとてもバレエ的だと感じます。この交響曲は以前から使おうと思っていました。トレーニングや大会の帰りに、車の中で何度も彼とこの曲を聴いたものです。そして、彼の成長ぶりや表現力を見て、この名曲で滑ることができるくらいに成長したと思いました。 デニスが紡ぎ出す物語に思い当たる節はありますか?あるいは、何らかの物語があるのでしょうか? 二人でいくつかの感情や情景について話しました。彼がそれを覚えているかどうかはわかりません。でも振付をしたときにはその感情や情景は私の中にありましたし、それを彼と共有しようとしました。でも彼はユニークな個性を持っていると感じています。この交響曲『新世界より』は、その個性を世界に知らしめるためのものなのです。ユニークな存在として、彼は小さな世界にいて、その外に何があるのかよく知りません。例えばステップシークエンスを始める時、彼は新しくて大きな世界を見つけるため、そしてこの『新世界より』に込められた自らの個性を持って革命のようなものを起こすために道を切り開いていきます。 これが大体のイメージですね、彼はとても特別ですから。彼の性格は…彼そのものであり、他の誰にも似ていません。彼が何かを説明するとき、私たちは時々ついていけないことがありますが、彼には彼の物事に対するビジョンがあるのです。メールでも時々何を言っているのかわからないことがあります。で、私は「どういう意味だろう?スケートの話なのかそうでないのか…?」といった感じです。だからこの個性はさらけ出されるべきです。彼は特別だからこそ、彼を必要とする『新世界より』にうまくハマっているのだと思います。 このプログラムを皆さんに見てもらうのがとても楽しみです!生徒のプログラムを自分で振り付けるか、他の振付師にお願いするかどうかはどのように決めていますか?何か決まっているプロセスはありますか? 生徒が他の人たちと一緒に仕事をし得る方が絶対に良いですね。スケートの振付師だけでなく、何かとても目を引くようなものがあり、動きに興味があり、何か新しいことを創って持ち込んでくれる人たちです。私が覚えている限りでは、サラ・ドーラン(カナダのダンス振付師)がデニスと(島田)高志郎に振り付けたことがあります。デニスのショーナンバーを作ったフーディア(・トゥーレ、セネガルのダンス振付師)とも一緒に仕事をしました。スクール内部のショーでもフーディアと一緒に振付をしました。自分たちがやりたいと思った曲や何かを感じた曲で、自分たちの技術を向上させるためのものをいくつか作りました。その過程で音楽を見つけたり、スクールにゲストコーチとして来た人がアイデアを出してくれて、それがスケーターの個性に合うこともありました。 つまり偶然の出会いから一緒に仕事をしたり、何か新しい創作アイデアを持ち込んでくれる人と知り合ったりしています。それに「今年はこれをやって、来年はショート、その次はフリー」と固定していなくて、決まったパターンはありません。でも、スケーターが成長し、自分の持ち味を発揮し、かつ気持ちよく滑れるように、できる限り受け入れていきたいと思っています。例えば高志郎がジェフリー(・バトル)と一緒に振り付けた『Sing Sing Sing』。彼はずっとジェフリーと一緒にやりたがっていましたが、コロナが流行っている間は都合がつけられなかったんです。で、まあ、ファンタジー・オン・アイスで私はジェフリーと一緒にツアーをまわっていました。それでやっと時間を見つけられたんです。つまり私たちにはアイデアがあり、希望があり、何かをしたいという気持ちがあります。そしてチャンスがあれば、そのチャンスを掴んで楽しみます。私が教えているスケーターたちは基本的にそうしてきました。 高志郎はあのショートプログラムを本当に楽しんでいるようですし、昨日見ましたがとてもうまくいっているようです。(高志郎は当時、東京選手権大会のショートプログラムを終え一位となっていました) そうそう、とてもいい感じです、はい。 デニスと高志郎の二人とはもう長い付き合いになりますね。彼らのコーチをし始めてから何年も経ちますが、彼らに対する指導はどのように変わりましたか? 彼らはもうすっかり大人になっています。二人ともキャリアの中で、何が必要で、どうすればいいかをよりよく理解できるようになりました。私の指導はまだ必要ですが、彼らが自分らしくいられるような自由を与えることも必要です。「こうしなさい、ああしなさい」とは言いません。でも「もっとこうした方がいいんじゃないか」「こうじゃない方がいいんじゃないか」と伝えるために私はいるのです。以前はもっと注文が多かったというか、多分今よりも私が与える影響が大きかったです。人格はすでに出来上がっています。高志郎とデニスを見ると、二人ともまったく違う性格をしていますね。それが成長して、成長して、歳を取って、長所も短所もある自分になっていくことの美しさだと思います。 そして、昌磨もまた人生の大きな一歩を踏み出し、自分のやっていることを楽しみ、人生の新たなステージにいるのだと思います。子供たちを教えるときは、たくさんの枠組みを与えてあげる必要があります。そして今、彼らはもう自分の枠組みを理解していると思います。でも時々、自分が知っていることややっていること以外にも、色々なことがあるんだということを思い出させる必要があるんです。だから、彼らが既に多くを習得しているとしても、生き生きとさせるようにしたり、学びのために好奇心を持ってもらったりするようにしています。 ちょうど昌磨がシャンペリーに戻ってきたところですよね。彼のトレーニングの調子はどうですか? 彼は実際のところかなりいい感じです。世界選手権で優勝した後にも関わらず、技術的にも芸術的にも向上し自らに挑戦し続けています。4月に彼が来た時、本当に一生懸命練習していました。長い間目指していた目標を達成した後にも関わらず、一生懸命に練習するモチベーションがあり、諦めずに努力しているのを見てとても感動しました。あんなに集中して頑張るモチベーションには本当に感心させられます。そして周りには良いチームがいて、彼を助け、サポートしています。それに彼はとても楽しい人ですし、まさに天才です。ちょうど同僚のアンジェロ(・ドルフィーニ)とも「信じられない」と話していたところです。世界チャンピオンでありながら、時間を守り、練習に遅れず参加し、言い訳をせず、責任感を持って、自分のやるべきことをこなし、前に進んでいく様子を信じられない気持ちで見ています。彼に何かを無理強いする必要はないんです。本当に感動させられます。 長い間目指していた目標を達成した後にも関わらず、一生懸命に練習するモチベーションがあり、諦めずに努力しているのを見てとても感動しました。

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