With more contenders than spots, Japan faces difficult Olympic decisions

Before 17-year-old Ami Nakai took the ice for her short program at the Grand Prix de France, few had her penciled into their Olympic predictions.

Three and a half minutes later, that completely changed.

Nakai stunned the crowd as she cleanly executed a triple axel in her senior Grand Prix debut. With a look of disbelief in the kiss and cry, she posted a personal-best 78 points. She followed that with another personal best in the free skate. She went on to win the event, besting three-time world champion Kaori Sakamoto, Rion Sumiyoshi and world bronze medalist Isabeau Levito.

All three Japanese women who competed in France landed on the podium — and that’s only a glimpse of how deep Japan’s women’s field runs.

Right now, the Japan Skating Federation (JSF) has at least five or six women who could feasibly contend for an Olympic medal. But the federation, like every other, only has three spots to send to Milan. It’s a good problem to have, but also a painful one. Talented athletes at the pinnacle of their careers will have to stay home, missing out on the dream they’ve chased their whole lives.

So, how do you choose?

Figure skating is an unpredictable and subjective sport. A strong performance at a Grand Prix or national championship doesn’t guarantee success under Olympic pressure. Some federations simply take the top three from nationals; others weigh international results and overall consistency.

Japan has historically done the former, a system that has stirred controversy — like in 2022, when Mana Kawabe edged Mai Mihara for the final Olympic spot after she won the bronze medal at the national championships. Kawabe, with far less experience, didn’t replicate her domestic success on the world stage.

Here is the state of play of the Japanese women’s field heading into November.

Kaori Sakamoto

VANCOUVER, BRITISH COLUMBIA – OCTOBER 28: Kaori Sakamoto of Japan performs to a first place finish in the Women Free Skating during the ISU Grand Prix of Figure Skating – Skate Canada International at Doug Mitchell Thunderbird Sports Centre on October 28, 2023 in Vancouver, British Columbia. (Photo by Harry How – International Skating Union/International Skating Union via Getty Images)

It’s fair to say Olympic bronze medalist and three-time world champion Kaori Sakamoto is a shoo-in for Japan’s Olympic team. By far the most experienced and decorated skater in the field, she continues to be the standard for consistency.

Sakamoto, 25, swept every competition during the 2023–24 season. Last season marked the first time she wasn’t atop the world podium since 2021, when she earned silver behind Alysa Liu at the World Championships in March.

Sakamoto is now excited to feel the relief of no longer being the one everyone is chasing

“Up until now, there was always talk about consecutive titles or being the favorite to win, but starting over from zero has given me a sense of relief,” Sakamoto told Nikkan Sports. “It’s significant for me to now be in a position of chasing rather than being chased. Experiencing that at this World Championships has been a major milestone and turning point for me.”

Even though Sakamoto may no longer be the clear favorite, you can never count her out — ever. It wouldn’t be a surprise if she won it all in February. This is, after all, the same athlete who at the 2023 World Championships popped her triple flip, regrouped immediately, and nailed the triple toe in combination.

She’s a fighter, and even without the ultra-Cs, Sakamoto makes up for it with unmatched technique, artistry and consistency.

Barring any major setbacks, Sakamoto will be in Milan.

Ami Nakai

Winning gold at a first senior first Grand Prix is no easy feat, and it immediately raises Ami Nakai’s stock in the eyes of the Japanese federation. Nakai was best known for her bronze medal at the 2023 World Junior Championships, but her results in the seasons since had been modest — until now.

Nakai was super successful in the junior circuit, but senior-level competition is a whole different level. Nakai’s inexperience is something extremely important to note. Still, her overall performance in Angers earned her the second-highest score among Japanese senior women ever in the modern scoring system.

And whether fans like it or not, her triple axel makes her competitive.

Nakai’s biggest challenge will be proving she can deliver clean skates consistently, as she did in France. It’s not just about landing the triple axel — it’s about scoring high enough to stay in the mix with the world’s top skaters. Of course, making that triple axel more consistent would help.

Her next test comes this weekend at Skate Canada, where a podium finish is within reach if her triple axel rotation is solid. A medal there would significantly boost her chances of qualifying for the Grand Prix Final in her first senior season. If that happens, it will be impossible for the JSF to overlook her.

Nakai already skates with maturity beyond her years. However, sending a first-year senior to the Olympics would put her under immense pressure — It’s a classic risk-versus-reward situation for the federation.

Mone Chiba

Mone Chiba burst onto the international scene in 2023 when she won bronze at the Four Continents Championship at age 17 — and she’s remained among the elite ever since. She followed that up with a Four Continents title in 2024, and is the reigning Grand Prix Final silver medalist and bronze world medalist, solidifying her as one of Japan’s top contenders.

Her short program, “Last Dance,” which she brought back from last year, has become a crowd favorite. After years of waiting for her breakthrough, it finally came last season as Chiba has shown major artistic growth, skating with fluidity and maturity that reflects her experience.

She’s looked solid so far this season, winning the Kinoshita Cup last month. Her first Grand Prix assignment, Skate Canada, will serve as a valuable litmus test to compare her against Nakai — a similar matchup that took place between Sakamoto and Nakai at the Grand Prix de France.

Like Sakamoto, Chiba’s strength lies in her reliability and skating skills. Her programs flow well, and she has proven that she can deliver under pressure. She rarely takes falls, and her under-rotations have improved slowly but surely. That reliability is something the federation will value.

A dark horse for an Olympic podium, Chiba is small in stature but powerful on the ice, skating well beyond her years.

Rinka Watanabe

MISSISSAUGA, ONTARIO – OCTOBER 28: Rinka Watanabe of Japan performs during the women’s short program during the ISU Grand Prix of Figure Skating – Skate Canada International at the Paramount Fine Foods Centre on October 28, 2022 in Mississauga, Ontario. (Photo by Dustin Satloff/International Skating Union via Getty Images)

Right now, Rinka Watanabe finds herself on the outside looking in, but is still very much a threat. Watanabe is one of the most up-and-down skaters, but has put herself back in the conversation after earning bronze at the Cup of China, though not without some stumbles.

She was second after the short program, landing a clean triple axel, but her free skate unraveled. She attempted a risky triple axel–triple toe combination and fell, popped a triple loop, and under-rotated several jumps. Her short program score ultimately carried her to the podium.

Given her rough start to the season, and the fact that she even contemplated retirement, her medal in China came as a surprise.

The biggest criticism of Watanabe has always been her inconsistency in big moments. That quality is crucial in Olympic contention. Equally important is the ability to make smart, strategic choices mid-program — her decision to attempt a 3A–3T combo, when the solo triple axel remains shaky, nearly cost her a medal in China.

Still, earning a Grand Prix medal could help reignite her confidence and remind both herself and the federation that she can hang with the top contenders.

Watanabe’s breakout came in the 2022–23 season, when she shocked the skating world by winning Skate Canada with a solid triple axel and qualifying for the Grand Prix Final in her first senior campaign. Before that, she was relatively unknown after a quiet junior career.

Since then, however, inconsistency has plagued her. She hasn’t been selected for Worlds since that breakout season. Her struggles at Japanese Nationals are also a concern, as her best finish is sixth. Even in her breakout year, she placed 12th at Nationals, though the JSF still took a chance by sending her to Worlds, a decision that ultimately didn’t pay off as she placed 12th.

Watanabe could still slip through the cracks and earn a spot if she can fully regain her triple axel and show improvement as the season progresses, not regression. She’ll need to prove she can be trusted to deliver when it matters.

Her next test comes at Skate America, where she’ll face others in similar positions, Hana Yoshida and Wakaba Higuchi, all fighting to stay in the Olympic conversation.

Wakaba Higuchi

We haven’t seen much from Wakaba Higuchi this season as she continues to deal with foot pain and illness. She’s expected to return at the NHK Trophy, though details about her injury and recovery remain unclear.

Higuchi is one of only two skaters on this list, along with Kaori Sakamoto, who has Olympic experience. Many fans still argue she was robbed of a higher placement after her stunning short program at the 2022 Beijing Olympics, but that’s a story for another time.

After the Olympics, Higuchi had a quiet two seasons, taking time off to recover from a stress fracture. Many assumed she was done, but she delivered one of the most memorable comebacks of recent years.

At the 2024 Skate America, her first competition of the season, Higuchi shocked the field by winning gold — her first-ever Grand Prix title after debuting on the circuit in 2016. She followed that up with a silver medal at Grand Prix de France, a berth to the Grand Prix Final, and a bronze at Japanese Nationals. She capped the season with a sixth-place finish at Worlds, where some felt she was underscored despite a few under-rotations in her free skate.

For much of last season, Higuchi looked close to her Olympic peak — fast, clean and polished. Her skating skills and maturity continue to set her apart.

Health will be the key factor this season. While she’s unlikely to attempt the triple axel again and her technical content isn’t the most difficult, her strong program component scores and artistry help her stay competitive.

Like Sakamoto, she announced that this will be her final competitive season.

Though a fan favorite, Higuchi remains a dark horse for Milan. She’ll likely need a podium finish at nationals and a clean bill of health to secure her Olympic spot.

Rion Sumiyoshi

SAPPORO, JAPAN – NOVEMBER 19: Rion Sumiyoshi of Japan competes in the Women’s Free Skating during the ISU Grand Prix of Figure Skating NHK Trophy at Makomanai Sekisui Heim Ice Arena on November 19, 2022 in Sapporo, Japan. (Photo by Toru Hanai – International Skating Union/International Skating Union via Getty Images)

At 22, Rion Sumiyoshi has been on the senior circuit for several years, and many are still waiting for her major breakthrough. She’s had flashes of success, earning five bronze medals and one silver on the Grand Prix circuit, and even qualifying for the Grand Prix Final in 2023.

Most recently, Sumiyoshi captured bronze at the Grand Prix de France. She entered the free skate in fourth place but climbed to third after a clean performance, popping only a triple salchow while landing a quad toe — though it was under-rotated and did not receive full value.

While not the most popular or highest-scoring skater, Sumiyoshi has a knack for finding her way onto podiums. Her quad toe sets her apart, though it remains inconsistent, and quads alone no longer guarantee medals in women’s skating.

Like Watanabe, Sumiyoshi has struggled at Japanese Nationals, where her best finish is eighth. That’s largely why she has never been selected for major championships such as Worlds or Four Continents.

Despite her extensive international experience, sending her to a championship would still be a risk given her lack of exposure at those events. Some argue her quad toe attempts are unnecessary, but if she can stabilize that element and deliver strong skates at Nationals, she could keep herself in the mix, however slim the odds are.

Her next assignment is the Finlandia Trophy.

Hana Yoshida

Once heralded as the next big thing in Japanese women’s figure skating, Hana Yoshida has struggled with inconsistency this season, particularly with visible rotation issues.

She placed eighth at both the Kinoshita Trophy and Nebelhorn Trophy, with scoresheets covered in red for under-rotations and edge calls.

At the Cup of China, Yoshida finished second to last — a shocking result given her past success. She battled under-rotations on even her easier jumps, popped a triple loop and triple flip, and fell on an attempted triple axel.

Just a season ago, Yoshida was one of the top athletes in the field. Over the past two Grand Prix seasons, she’s won two golds and two bronzes, qualifying for the Grand Prix Final both times. She earned bronze in 2023 and placed fifth last season. Her triple axel, when landed cleanly, was one of the best in the field.

At only 20, Yoshida skates with striking maturity and originality. Her programs have been praised for their creativity and uniqueness.

Like Watanabe, Yoshida struggled at Japanese Nationals during her breakout senior debut despite earning a Grand Prix Final bronze that same season, placing eighth at Nationals. Still, the Japan Skating Federation sent her to Worlds, where she finished eighth. That remains her only Worlds appearance.

This season, she looks far removed from the confident Grand Prix finalist she was last year. Whether it’s due to injury or a loss of confidence isn’t clear, but it will take a lot for her to regain the federation’s trust in just a couple of months.

It also underscores just how deep Japan’s women’s field is — when a recent Grand Prix Finalist can fall out of contention within months. Right now, it doesn’t appear Yoshida has the full backing of the JSF.

Rino Matsuike

In many eyes, Rino Matsuike remains one of Japan’s most underrated and underscored skaters. Her quality of movement, musicality, and skating skills are exceptional, and her step sequences are among the most difficult in the field — though her scores don’t always reflect it.

Matsuike was one of last season’s surprises, earning two silver medals on the Grand Prix circuit and qualifying for the Grand Prix Final, where she finished last after battling severe under-rotation issues.

She placed fifth at Japanese Nationals and narrowly missed making the Worlds team, instead being sent to the Four Continents Championships, where she finished 11th after popping jumps and struggling with under-rotations.

At this year’s Cup of China, Matsuike showed notable growth in artistry and performance, skating two well-constructed programs. Her short program featured one of the most difficult and intricate step sequences of the season, but she still appeared underscored in the program components. Two fluke falls in the free skate didn’t help, and she finished sixth.

A detail-oriented and refined skater, Matsuike’s attention to precision often sets her apart — but she hasn’t yet proven she can deliver a completely clean skate in high-stakes moments. Like Yoshida, she doesn’t seem to have the strong backing of the federation, which could make Olympic selection an uphill battle.

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对话斯蒂凡·兰比尔 A Conversation with Stéphane Lambiel (Chinese Translation)

Thank you so much to Eledhriel and Sempre Libera for translating this article into Chinese! Find the English version here. 两届世界冠军斯蒂凡·兰比尔在去年取得了里程碑式成就——他的学生宇野昌磨同样加冕世界冠军。就像昌磨一样,斯蒂凡并没有居功自傲,而是鞭策着自己和他的学生们继续创新提升。他对滑冰的炽爱从他的一言一行中清晰可见。聆听他的话语,你会相信滑冰不止是一项运动——它超验玄奥,通过艺术与情感将人心相连。 我在布拉迪斯拉发的内佩拉纪念赛男单自由滑练习结束后与斯蒂凡进行了交谈。他的学生丹尼斯·瓦西里耶夫斯在短节目开场的4S重重摔倒后,遗憾屈居第四。 截至目前,你对赛况感觉如何?我的意思是,昨天很艰难,但你整体的感受如何? 整体的感受啊,我觉得……对他来说,第一步肯定富有挑战性。这是本赛季迈出的第一步,是首次尝试在短节目中加入4S。因此在新节目中存在很多首次尝试。基于这些,我感觉他自然没能发挥到最好,但我欣赏他的付出与投入以及准备的方式。我知道结合[他的]自律,以及对他所做之事的信任与信心,还有他的性格,最终他将能展示出他与我构想中的成果。是的,我觉得第一步已经迈出了,现在我们要从这里开始构筑。 迈开第一步。 一点没错,就是这样。 对你和丹尼斯来说,在经历了像昨天那样艰难的一天后如何重整旗鼓?你会做什么来让自己进入今天的状态,将昨日抛诸脑后? 我认为重要的是保持专注,因为短节目后比赛尚未结束。专注于比赛中,快速复盘短节目,哪里好,哪里糟,哪里需要打磨,这就是我们做的事——一个快速的复盘,然后恢复休整,为长节目蓄力。不要被情绪所左右,而是说完需要说的话,将[情绪]释放出来,别让自己太过心烦意乱。今天要比长节目,所以两场比赛的间隔很短。 本赛季在短节目中加入四周,这一决定背后的想法是什么? 我认为他证明了自己能够完成,因此我希望他能根据自己的意愿去练习,并在短节目和自由滑的正赛上去做。冒这一风险需要勇气。从长远角度来看,这是他所需要的,也是他所希望的。他是个很强的选手,在体格方面很健壮;但他在技术方面同样也很强,他用刃和跳跃的方式都是教科书级别的。因此我认为,即使这条路会长一点,但他的基础相当坚实。我真的觉得在花滑界,你滑冰的方式格外重要。所以我真的很享受与他的合作,因为他力求卓越。长远来看,这很有益。 昨天在练习中有过一个漂亮的4S,看见它的感受就像是:你知道的,他可以做到,只不过是把技术稳定下来的问题。 是的,我认为还有在心理上做好成功的准备。这是一个巨大的挑战——对他来说,一个大挑战。他是一个大男孩,高个子,所以在体格方面要比稍矮的人做起来更难,因为他们可以转得更快。但这对他来说是可以做到的。有了信任和稳定性,他就能跳成得更多。 你可以分享一点关于丹尼斯德沃夏克自由滑的编舞过程吗?你是如何将整部交响曲浓缩成一个节目的? 我想节目最难的点就在于音乐剪辑了。因为我爱整部交响曲,但整部……我不知道,大概全长有30分钟? 可能有40分钟了。 啊,是的。从40分钟到4分钟,这就像“天啊,我们要怎么弄?”而莎乐美[莎乐美·布鲁纳,与斯蒂凡经常合作的编舞师]和我听了很多遍这部交响曲,我们把我们认为重要的部分标注出来。于是就有了很多重点部分。当你把它们拼到一起,就会感觉内容太多了。所以挑战的点就在于找到一个合适的结构让乐曲的戏剧性和谐过渡。这不单单是因为旋律不断走高走高走高,而是之后还有着那么多的高光部分,所以我们得找到一个合适的节奏。 我所期待且钟爱的一段就是在定级步法开始的时候。这段十分平和,时间几乎就此凝滞,之后伴随着芭蕾大跳,最后一浪将你送上高潮。我也非常喜爱末尾飓风到来前的宁静一刻。我觉得他很有芭蕾风格——他滑冰的方式,他的姿态。我们对这首交响曲很久以前就有想法了,我们在从训练或比赛回来的车上听过很多遍。看到他逐渐发展和表达自我的方式,我认为他已经足够成熟,能去滑这一大师之作了。 你觉得他有在讲一个故事吗?或者描述着什么? 我们讨论过一些情绪和场景。我不知道他是否深有同感,但我在编舞时是这么想的,我也试着与他分享。但我觉得他是一个特立独行的人,而这首《新大陆/新世界交响曲》讲的正是将这种特立独行带向世界。作为一个个体,他身处一个小小世界,他并不知道外面会有什么。比如当他开始做定级步法时,他就是在为自己辟路,去探索这片全新的大世界,凭借着他的特立独行在新世界中掀起巨变。 这就是节目中的意象,因为他是如此特别。他的个性……这就是他,再也没有第二个人。在他解释东西的时候,我们有时都跟不上,他有着对事物的自我见解。甚至他给我发短信的时候,有时我都不太懂他在讲什么,我就仿佛一脸“你什么意思?就……这是关于滑冰的还是……?”所以说这种特立独行需要展现出来。我认为他是那般独特,这与需要他的这个新世界非常相配。 我非常期待观众看到这一节目!你是如何决定哪个节目是你来给选手编舞,哪个节目是跟其他编舞师合作的?这其中是否存在一个思考的过程? 我很高兴选手们能有跟其他人合作的可能,不止是花滑编舞师,还有那些对动作和创新感兴趣的有趣之人。我能记起的有Sarah Dolan[加拿大编舞师],她跟丹尼斯和高志郎合作过;有Khoudia [Toure,塞内加尔编舞师],她为丹尼斯编了一个冰演节目,我也跟她合作过。我们还跟Khoudia为组内的内部演出一起编舞。我们创作了一些片段,利用这些片段提高自己想要的技巧或者感受到的东西,在这个过程中,有时我们找到一些音乐,或者来学校担任客座教练的人会有主意,而这个主意也许与一些选手的个性相契合。 所以说这其实就是一种随机性——遇见一些人,与一些人合作,与带来新想法的人相识并创作。我们也不局限于“好吧,我今年编短节目,明年编自由滑”,我们并没有一个固定的模式。但我当然希望能尽可能多地为选手们吸纳人才,让他们得以成长并展现自己的才华,并且感到舒适。比方说,高志郎与杰弗里·布特编排了《Sing Sing Sing》。他很久以前就想跟杰弗里合作了,而在疫情期间,这样的安排是不可能的。之后,我跟杰弗里参加Fantasy on Ice巡演,我们设法挤出时间来完成编舞。这源于我们有想法,有期望,还有去做的动力。当机会出现,我们就紧紧攥住并享受。这基本就是我与选手们合作的过程了。 高志郎看起来很喜欢那个短节目。他也滑得不错,我昨天看到了。[高志郎当时在东京地区赛短节目后暂列第一]

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