Cranberry Cup Recap: Tired Legs and Big Smiles at the 23/24 International Season-Opener for Singles

Women’s medalists at Cranberry Cup, L-R: Ava Ziegler (silver), Kaiya Ruiter (bronze) and Lindsay Thorngren (gold).

In its third year as an international competition, the 2023 Cranberry Cup welcomed a strong field in the Men’s and Women’s events at the junior and senior level. I was in attendance for the senior events on August 12 and 13th.

The Tenley Albright Performance Center is a beautiful arena at the Skating Club of Boston’s 3-rink facility in Norwood, Massachussets. The venue hosted the 2022 Skate America Grand Prix, and the club always does a great job putting on events!

Unfortunately, the event was not live-streamed. This remains an issue with events held in the US, reportedly due to the settlement of a lawsuit over music copyright during the last Olympics.

Cranberry Cup was held concurrently with the Cranberry Open, a well-attending club competition that attracts skaters from all over the Northeast. That helped to ensure that there was a small live audience cheering for the athletes, especially hometown skaters Jimmy Ma and Will Annis, and perpetual fan favorite Donovan Carrillo of Mexcio.

Cranberry Cup was the season-opener for a number of skaters headed to the Grand Prix and Junior Grand Prix and Challenger Series, as well as an opportunity for skaters to earn world standing points and the technical minimum scores required for ISU Championships.

Cranberry Cup International Results

Women
🥇 Lindsay Thorngren (USA)
🥈 Ava Ziegler (USA)
🥉 Kaiya Ruiter (Canada)
See Full Results


Men
🥇 Mark Gorodnitsky (Israel)
🥈 Wesley Chiu (Canada)
🥉 Jimmy Ma (USA)
See Full Results

Cranberry Cup: Women’s Results

Lindsay Thorngren during her winning Free Skate to “Twilight”

The Women’s event was won by the US’ Lindsay Thorngren. In her second senior season, Lindsay looks sophisticated and elegant in both her new programs. She shared, “I really like my programs this year. I’m excited to show them!”

The short is to “Windmills of My Mind”, choreographed by Sandra Bezic. Lindsay looked strong, with her only mistake being an under-rotation on the second jump in her triple flip-triple toe combination. The score of 66.43 put her in second place. She came back very strong in her free skate to the Twilight soundtrack, choreographed by Shae Lynn Bourne, scoring 132.73. She landed seven triples, including a triple lutz-triple loop combination (although the loop was under-rotated).

The highlight of the program was the choreographic sequence, which showed off Lindsay’s flexibility with innovative spirals and transitions. “I’m really happy with how I skated, and I can’t wait for the rest of the season,” Lindsay commented. “I really want to improve from last season and show my best.” She’ll be heading next to the Autumn Classic Challenger Series event in Montreal, and to Grand Prix events in Canada and Japan.

Ava Ziegler in her winning short program

The US still has an open host spot at Skate America, and several of the top contenders were here. Ava Ziegler, who won the short program, and placed second in the free skate, and second overall, made a strong case for herself. The 16-year-old debuted with a splash last season, earning a 4th-place finish at Skate Canada, and she narrowly missed qualifying for a Grand Prix this season.

At Cranberry Cup, Ava scored 68.12 in the short program, with a jazzy and upbeat program. A highlight was the shoulder shimmy into layback Ina Bauer! “There are small things that I can improve,” said Ava. “But it’s the beginning of the season and I’m really happy with what I put out there.” I was especially impressed that she skated clean after falling twice on her triple flip while waiting to start. Ava wasn’t worried, though: “I’m kind of a baby deer. I know if I make silly little mistakes, I’ll be fine. It’s normal for me – I’ll trip on the boards, I’ll trip doing crossovers. I just shake it off.”

Unfortunately, Ava wasn’t able to replicate the success in the Free Skate. Falls on her opening triple flip-triple toe combination, and again on a triple lutz held Ava to a score of 115.67. The music (Christina Aguilera’s “Liberation”) is a good match for Ava’s big, emotive, skating, and she persisted in her performance despite the mistakes. Her next competition will be the Lombardia Trophy Challenger event in Bergamo, Italy in September. A full interview with Ava will be coming out soon.

Kaiya Ruiter and coach Scott Davis after the short program

Bronze went to Canadian Kaiya Ruiter. The national silver medalist was 10th at last year’s Junior Worlds. She earned 56.19 on her short program to “I Wanna Dance with Somebody” (repeated from last season). The loop in her opening triple lutz-triple loop combination was two-footed and under-rotated, and with mostly level three steps and spins, she is still chasing a short program minimum technical score for the World Championships. Kaiya shared “It was my first time trying the lutz-loop in competition and it was really great to have that experience under my belt. It’s also my first time competing in the States, and it’s been the most wonderful experience!”

Unfortunately, edge calls and under rotations also plagued Kaiya’s free skate, which earned a 108.24 score. She is also reusing her music from last season, “Inspiration” by Florian Christl. Although she placed 5th in each segment, the volatility of the field meant that Kaiya achieved 3rd overall. Kaiya competes next at Autumn Classic, and will be debuting on the Grand Prix at Skate Canada International in October. “I’m really looking forward to that,” Kaiya said. “I’m focused on getting everything clean, and working on spins, and doing everything to make that a great experience!”

Elyce Lin-Gracey during her Free Skate

Elyce Lin-Gracey took fourth place overall, and achieved her senior technical minimums here. She earned 58.70 for a clean short program to “Someone Like You” from Jekyll and Hyde, which put her in 3rd. Her Free Skate, to “Not About Angels” by Birdy, started rough with two falls, a step out, and a pop on the first four jumping passes. She fought back for the final sections, and scored 103.88. Hopefully, she can build on that experience of resilience as she heads into her Junior Grand Prix assignment in Turkey.

Americans Sonja Hilmer (5th) and Clare Seo (7th) were also hoping for a strong showing here to boost their quest for international assignments. Both showed flashes of brilliance here, but struggled in one program or the other. Clare had come out ahead in their previous head-to-head match-up at the Glacier Falls domestic competition in July.

Sonja with coach Tammy Gambil after the Free Skate

Sonja Hilmer has been making a name for herself with self-choreographed programs and an innovative triple salchow-(clockwise) double salchow combination that takes advantage of her ability to rotate in both directions. While she doesn’t have the technical content of some of her competitors (neither program included a triple-triple), her programs to The Matrix and the Avatar: The Last Airbender soundtrack are vehicles to showcase her unique style. “I’m good at pulling the story out of things that I’m familiar with, and I love Avatar, so it was a blast putting this program together,” said Sonja.

She actually had one of the cleanest Free Skates of the event, scoring 112.18 and she was happy with her competition. “It always feels so good coming off the ice knowing I put out a good performance and connecting with everyone watching.” Hopefully, we’ll see more of Sonja at international competitions later in the season!

Clare Seo during her graceful short program.

Clare Seo is reusing her ’22-23 short program to Simple Gifts, which suits her lyrical skating style. “I chose it for the Peggy Fleming trophy last year, and was just going to use it for that [artistic] competition, but the judges and I really liked it, so we decided to use it for competitions.” Her jumps were strong, but a freak fall on her final spin cost her important points and prevented her from earning the minimum technical score for Worlds.

Clare’s Free Skate is a tango, which showcases another side of her skating. Her grit was impressive – after a hard fall on a triple lutz, where she collided into the boards, she landed her next jumping pass, a triple flip-double axel sequence. Although the falls put her behind the demanding music, she fought hard for the levels in her final spin, and earned 91.99 for the program. It wasn’t the skate she wanted, but it’s the kind of experience that is better to have now than later in the season. Clare shared that her goals are to “skate with confidence, get more consistent on my triple-triple combination, and enjoy my season.”

Fiona Bombardier has a fun and sunny short program to “Havana”.

Fiona Bombardier made her senior international debut, placing 8th overall. The bronze medalist at last season’s Canadian Nationals, Fiona suffered a concussion at the end of the season that prevented her from attending the Coupe du Printemps, and a potential assignment to the World Team Trophy. She was looking to earn the technical minimums here to qualify to a future ISU championship, and she did hit the mark for the Four Continents minimums, earning 48.40 and 98.39. She has a lot of talent, but did not yet look fully trained and confident in competing these programs. “I was a little nervous and stiff, but I’ll keep training these programs and hopefully come out better next time.” She picked the music for her new short program to “Havana” – which she described as “a dance party” and is reusing her “Allegría” free skate from last year.

Shout-outs also go to Sarah Everhardt (6th), who will be heading to the Junior Grand Prix this year and who looked very polished and prepared in practices, with beautiful height on her jumps, and to Lindsay Wang, who had to withdraw in the middle of short program skate after a very hard fall. It’s always tough to see a skater get hurt, and I’m glad she recently posted she is doing better!

Cranberry Cup: Men’s Recap

In the Men’s event at Cranberry Cup, Israel’s Mark Gorodnitsky repeated his victory from last season. He noted that the field was tougher this year, though, and Mark had to fend off strong performances from Canada’s Wesley Chiu and the US’ Jimmy Ma. These skaters will meet again at the Autumn Classic International in Montreal next month.

Mark Gorodnitsky smiles during a lighter moment in his free skate

Mark is building on a successful second half of the 2022-23 season, where he achieved personal best scores and placements at Europeans and Worlds. He said that this season, “I want to keep up with the clean skates. I want to be very consistent. From the free program at Europeans, I started to train very hard, very different, and listen to my coach instead of do everything myself.”

He looked better prepared than many of the men, whom it was clear simply hadn’t put in the mileage doing run-throughs on their free skates (one man, who will remain anonymous, admitted this competition was only the third time he’d ever run through his free skate!) Mark had two clean programs, and although he did not attempt any quads, he earned 76.29 in the short program, and 154.70 in the free, enough for first overall. His free skate, to “Shape of Lies” by Eternal Eclipse, was choreographed by his coach Andrei Berezintsev. “It’s kind of a roller coaster, it starts emotional, angry, and then calms down, and then at the end it just explodes. [Andrei] is more qualified to explain the story but over the season I’ll probably get more invested and create my own.” Mark’s next competition will be Autumn Classic, followed by the Skate Canada Grand Prix.

Wesley Chiu with coach Keegan Murphy after his short program

Wesley Chiu was excited to share his new short program to the soundtrack to the 90’s Romeo and Juliet. “I think it’s a different version than people have done before…My choreographer found that Sam Smith had released a new version of ‘Kissing You’. I really liked it the first time I heard it and it kind of challenges me with the different types of movements.” He had a tough landing on his opening quad toe and only was able to add a single toe to the combination. That left him in 5th place with a score of 72.33.

However, he fought back with a clean free skate, including a beautiful quad salchow, and won the segment, scoring 158.98 and earning the silver medal. The Free Skate music comes from the Kill Bill soundtrack, including a section to “Please Don’t Let Me Be Misunderstood”. Wesley shared that he worked hard over the summer, “I’ve been trying to add new elements, to perfect the ones I have.” While he didn’t include his new quad lutz in the free skate, the goal is to add it later in the season. Wesley will also be heading to Autumn Classic and Skate Canada International this fall.

Jimmy Ma’s free skate choreographic sequence is fierce!

Jimmy Ma won the short program, and placed third in the free skate, earning him a bronze medal. He shared that entering the competition was a last-minute decision, but he wanted to test how he was doing at this point ahead of the season. His short is a lighthearted and charismatic program to the Cowboy Bebop soundtrack, which he said is pushing him outside his comfort zone. A beautiful quad toe-triple toe and high PCS earned him 83.05.

In the free skate, he started strong with two quad toes, but lost energy for his jumps in the second half, falling on a triple axel and scoring 139.44. The highlight of the program is his choreographic sequence, which is reminiscent of the straight-line step sequences of the mid-2000s. The techno hip-hop remix of “Lacrimosa” is a classic Jimmy Ma show-stopper, and will be lots of fun for audiences this season. The home crowd (Jimmy trains in Boston) certainly loved it! Jimmy will be heading to Autumn Classic before competing at the Grand Prix in China. A full interview with Jimmy will be coming soon.

Will Annis pushed through a tough free skate with the support of his home-town crowd.

Americans Liam Kapeikis (6th) and Will Annis (9th) had strong short programs and very tough free skates. Liam was third after the short program, and while he struggled in his free skate, the program, to a Jerry Douglas cover of “The Boxer” suits him well. I will look forward to seeing the program grow over the season, including at his Grand Prix in Canada. Will Annis fell four times in his free skate to “Your Song” from Moulin Rouge. They were the kind of falls that you see when skaters have tired legs, and jumps that likely would have been okay later in the season when skaters are more trained. This was nonetheless an important marker for Will as he returns from injury and tries to rejoin the conversation for American men.

Lucas Broussard’s free skate has beautiful details

This was the senior international debut for Lucas Broussard (14th), and not the result he was hoping for. The 2022 Junior Grand Prix silver medalist, Lucas has decided to mainly compete senior this season, though he is aiming to return to Junior Worlds. The technical content did not go his way – a fall on a quad toe attempt, and a popped axel put him 13th after the short program, and his free skate was also littered with jump trouble. “I’m pretty disappointed because I know I can do more, but that’s the sport,” Lucas said after the free skate.

Despite the errors, Lucas does have the ability to keep the artistic spirit of a program alive through a tough skate, and his programs have a lot of potential. His free skate to Vivaldi’s Four Seasons has many beautiful touches in the choreography. I especially appreciated his short program to REM’s “Everybody Hurts”, and the message of resilience was extra relevant as Lucas fought his way back to a successful final combination jump. Lucas’ next competition will be the Nebelhorn Trophy Challenger event in Germany, before he heads to the Grand Prix in China. An interview with Lucas will be coming soon.

Donovan Carrillo with coach Jonathan Mills after his Free Skate

Donovan Carrillo of Mexico placed fifth in his first competition with his new coaching team, and he said he is happy with his training environment in Toronto. “I’m in a new chapter of life, and I’m enjoying skating a lot…I was very unstable with my skating due to the injury in my right ankle. Now that I’ve finally had surgery and doing the physio, I feel more ready and prepared. I’m really happy to start everything from zero and have this opportunity to keep skating.”

His short program is a crowd-pleasing program to Justin Timberlake’s “Sexy Back” and “Four Minutes”. It’s the kind of high-energy program where Donovan excels, and he earned his short program minimums for Worlds, scoring 68.68. Unfortunately, he was just short of the minimum for the free skate, where he scored 128.84. The free skate music starts sultry with “Besame Mucho” and then heats up with a remix of “Cuba”. Donovan will also be heading to Autumn Classic next month.

Bruce Waddell during his Free Skate

This was also an important competition for Canadian Aleksa Rakic, who placed fourth. His quad toe is looking much more consistent, and he achieved his world minimums at this competition. I want to give free skate shout-outs to Canadians Bruce Waddell (12th), who used his ice dancer deep edges for a beautiful performance to Moonlight Sonata (his change-edge spread eagle got big applause) and Gabriel Blumenthal (10th), who had a lovely balletic performance to Rachmaninoff Piano Concerto No 3.

This was a great way to open the international season for the singles disciplines, and it will be exciting to follow many of these skaters into their next assignments.

Thank you again to the Cranberry Cup organizers, and all the skaters who spoke with me about their programs and their hopes for the season!


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ステファン・ランビエルとの談話 A CONVERSATION WITH STÉPHANE LAMBIEL (JAPANESE TRANSLATION)

Thank you so much to Slambielfp for translating this article into Japanese! Find the English version here. 二度の世界チャンピオンに輝いたステファン・ランビエルは昨年、教え子の宇野昌磨も世界チャンピオンになるという節目を迎えた。ステファンは、昌磨と同じように、その栄光に甘んじることなく自らを駆り立て、教え子たちに革新と向上を求め続けている。彼のスケートに対する情熱的な愛情は、その言動や行動全てから伝わってくる。彼の話を聞いていると、スケートは単なるスポーツではなく、芸術と感情で人々をつなぐ超越的な存在になりう得るのだと思えてくる。 ブラティスラヴァで開催されたオンドレイ・ネペラ・メモリアル・トロフィーで、男子フリーの練習後、ステファンに話を聞いた。彼の教え子であるデニス・ヴァシリエフスは、ショートプログラム冒頭の4回転サルコウで激しく転倒し、4位という残念な結果に終わっていた。 ここまでの競技を振り返っていかがですか?昨日は大変でしたが、全体的にはどうでしたか? 全体的には…彼にとってはもちろん挑戦的な一歩目だと思います。シーズン初戦でしたし、ショートプログラムで4回転サルコウに挑戦したのも初めてでした。その最初の一歩でした。新しいプログラムで初めて挑戦したことがたくさんあったわけです。そう考えると、確かにベストを尽くしたとは言えないと思います。でも、彼がしてきたこと、努力してきたこと、準備してきたことは評価しています。でも、鍛錬と、自分がやってきたことや自分が何者であるかへの信頼や信念があれば、彼や私が想像しているような成果を披露することはできると信じています。だから最初の一歩は踏み出せたと思います。そしてここから積み上げていきます。 最初の一歩を踏み出すということですね。 その通り、その通りです。 昨日のようなハードな一日の後、あなたやデニスはどのようにリフレッシュしていますか?昨日のことを引きずらずに今日を迎えるためにはどうすればいいのでしょうか? 大事なのは集中し続けることだと思います。ショートプログラムが終わっても、試合が終わったわけではありません。私たちが行ったのはクイックデブリーフィングといって、ショートプログラムが終わった後も試合に集中し、何が良かったのか、何が悪かったのか、何が取り組むべき課題なのかをすぐに伝えます。そして、フリープログラムに向けて身体を回復させ英気を養います。あまり感情的にならず、言うべきことを言い、それを吐き出し、気を散らしすぎないようにする。今日はフリーがあるので、2つのプログラムの間はかなり短くなっていますね。 今シーズン、どのような考えでショートプログラムに4回転を入れたのでしょうか。 彼は、それができることを自分で証明してきたと思います。だから、彼には自由に取り組んでほしいし、ショートでもフリーでも試合でやってほしいと思っています。そのリスクを負うには勇気が要ります。長期的に見れば、それが彼に必要なことであり、彼が望んでいることなのです。彼はフィジカルが非常に強いという意味でかなり強いスケーターです。でも技術的にも非常に強い。エッジのコントロールやジャンプの仕方などは、まさに教科書のようなテクニックを持っています。だからたとえ時間がかかるとしても、基礎はしっかりしていると思います。スケートでは物事のやり方というのがとても重要だと強く思います。だから自身の持つ素晴らしい能力に注力している彼と共に仕事をするのは本当に楽しいです。それに長期的に見ればこれはとても有益なことです。 昨日の練習でも美しい4回転サルコウが見られましたが、それを見て、もう準備はできているのだと思いました。あとはそれを安定させるだけですよね。 そう、それと、成功するには精神的な準備も必要だと思います。大きな挑戦ですね。彼にとって、これは大きな挑戦なんです。彼は大人で、背も高い。だから背が低くてタイミングを早く取れる人よりも、フィジカル面で難しさがあります。でも彼ならできます。信頼と一貫性をもってすれば、もっと頻繁に成功するようになるでしょう。 デニスのドヴォルザークのフリープログラムの振付の様子について少し聞かせていただけますか?交響曲全体からどのようにプログラムに落とし込んだのですか? あのプログラムで一番大変だったのは、音楽をカットすることだったと思います。私は交響曲全体が好きなんですが、交響曲全体…?わからないけど、多分30分くらいかな。  多分40分ですね。 ええ、その通りです。だから40分の曲を4分にする必要がありました。「ああ、どうしたらいいんだろう」という感じでした。サロメ(・ブルナー、ステファンと頻繁に仕事をする振付師)と私は交響曲を何度も聴いて、自分たちが重要だと思う部分に集中するようにしました。でも重要なことがたくさんありすぎて、それをまとめると、すべてがやりすぎなように感じられるんです。そこで、物語のリズムが調和の取れた流れになるようなパターンを見つけることが課題になりました。盛り上がって、盛り上がって、盛り上がって、そして見せ場がたくさんあるのがこの音楽というわけではない、ということです。だから、何かリズムを見つける必要があったんです。 私が楽しみにしていて好きな瞬間のひとつは、ステップシークエンスが始まる瞬間です。とても穏やかな気持ちになります。そして最後に大きなバレエジャンプで音楽が最高潮に達するときには殆ど時間が止まっているような感覚です。そして、最後の嵐の前の静けさが漂う瞬間がとても好きです。彼のスケーティングや姿勢などはとてもバレエ的だと感じます。この交響曲は以前から使おうと思っていました。トレーニングや大会の帰りに、車の中で何度も彼とこの曲を聴いたものです。そして、彼の成長ぶりや表現力を見て、この名曲で滑ることができるくらいに成長したと思いました。 デニスが紡ぎ出す物語に思い当たる節はありますか?あるいは、何らかの物語があるのでしょうか? 二人でいくつかの感情や情景について話しました。彼がそれを覚えているかどうかはわかりません。でも振付をしたときにはその感情や情景は私の中にありましたし、それを彼と共有しようとしました。でも彼はユニークな個性を持っていると感じています。この交響曲『新世界より』は、その個性を世界に知らしめるためのものなのです。ユニークな存在として、彼は小さな世界にいて、その外に何があるのかよく知りません。例えばステップシークエンスを始める時、彼は新しくて大きな世界を見つけるため、そしてこの『新世界より』に込められた自らの個性を持って革命のようなものを起こすために道を切り開いていきます。 これが大体のイメージですね、彼はとても特別ですから。彼の性格は…彼そのものであり、他の誰にも似ていません。彼が何かを説明するとき、私たちは時々ついていけないことがありますが、彼には彼の物事に対するビジョンがあるのです。メールでも時々何を言っているのかわからないことがあります。で、私は「どういう意味だろう?スケートの話なのかそうでないのか…?」といった感じです。だからこの個性はさらけ出されるべきです。彼は特別だからこそ、彼を必要とする『新世界より』にうまくハマっているのだと思います。 このプログラムを皆さんに見てもらうのがとても楽しみです!生徒のプログラムを自分で振り付けるか、他の振付師にお願いするかどうかはどのように決めていますか?何か決まっているプロセスはありますか? 生徒が他の人たちと一緒に仕事をし得る方が絶対に良いですね。スケートの振付師だけでなく、何かとても目を引くようなものがあり、動きに興味があり、何か新しいことを創って持ち込んでくれる人たちです。私が覚えている限りでは、サラ・ドーラン(カナダのダンス振付師)がデニスと(島田)高志郎に振り付けたことがあります。デニスのショーナンバーを作ったフーディア(・トゥーレ、セネガルのダンス振付師)とも一緒に仕事をしました。スクール内部のショーでもフーディアと一緒に振付をしました。自分たちがやりたいと思った曲や何かを感じた曲で、自分たちの技術を向上させるためのものをいくつか作りました。その過程で音楽を見つけたり、スクールにゲストコーチとして来た人がアイデアを出してくれて、それがスケーターの個性に合うこともありました。 つまり偶然の出会いから一緒に仕事をしたり、何か新しい創作アイデアを持ち込んでくれる人と知り合ったりしています。それに「今年はこれをやって、来年はショート、その次はフリー」と固定していなくて、決まったパターンはありません。でも、スケーターが成長し、自分の持ち味を発揮し、かつ気持ちよく滑れるように、できる限り受け入れていきたいと思っています。例えば高志郎がジェフリー(・バトル)と一緒に振り付けた『Sing Sing Sing』。彼はずっとジェフリーと一緒にやりたがっていましたが、コロナが流行っている間は都合がつけられなかったんです。で、まあ、ファンタジー・オン・アイスで私はジェフリーと一緒にツアーをまわっていました。それでやっと時間を見つけられたんです。つまり私たちにはアイデアがあり、希望があり、何かをしたいという気持ちがあります。そしてチャンスがあれば、そのチャンスを掴んで楽しみます。私が教えているスケーターたちは基本的にそうしてきました。 高志郎はあのショートプログラムを本当に楽しんでいるようですし、昨日見ましたがとてもうまくいっているようです。(高志郎は当時、東京選手権大会のショートプログラムを終え一位となっていました) そうそう、とてもいい感じです、はい。 デニスと高志郎の二人とはもう長い付き合いになりますね。彼らのコーチをし始めてから何年も経ちますが、彼らに対する指導はどのように変わりましたか? 彼らはもうすっかり大人になっています。二人ともキャリアの中で、何が必要で、どうすればいいかをよりよく理解できるようになりました。私の指導はまだ必要ですが、彼らが自分らしくいられるような自由を与えることも必要です。「こうしなさい、ああしなさい」とは言いません。でも「もっとこうした方がいいんじゃないか」「こうじゃない方がいいんじゃないか」と伝えるために私はいるのです。以前はもっと注文が多かったというか、多分今よりも私が与える影響が大きかったです。人格はすでに出来上がっています。高志郎とデニスを見ると、二人ともまったく違う性格をしていますね。それが成長して、成長して、歳を取って、長所も短所もある自分になっていくことの美しさだと思います。 そして、昌磨もまた人生の大きな一歩を踏み出し、自分のやっていることを楽しみ、人生の新たなステージにいるのだと思います。子供たちを教えるときは、たくさんの枠組みを与えてあげる必要があります。そして今、彼らはもう自分の枠組みを理解していると思います。でも時々、自分が知っていることややっていること以外にも、色々なことがあるんだということを思い出させる必要があるんです。だから、彼らが既に多くを習得しているとしても、生き生きとさせるようにしたり、学びのために好奇心を持ってもらったりするようにしています。 ちょうど昌磨がシャンペリーに戻ってきたところですよね。彼のトレーニングの調子はどうですか? 彼は実際のところかなりいい感じです。世界選手権で優勝した後にも関わらず、技術的にも芸術的にも向上し自らに挑戦し続けています。4月に彼が来た時、本当に一生懸命練習していました。長い間目指していた目標を達成した後にも関わらず、一生懸命に練習するモチベーションがあり、諦めずに努力しているのを見てとても感動しました。あんなに集中して頑張るモチベーションには本当に感心させられます。そして周りには良いチームがいて、彼を助け、サポートしています。それに彼はとても楽しい人ですし、まさに天才です。ちょうど同僚のアンジェロ(・ドルフィーニ)とも「信じられない」と話していたところです。世界チャンピオンでありながら、時間を守り、練習に遅れず参加し、言い訳をせず、責任感を持って、自分のやるべきことをこなし、前に進んでいく様子を信じられない気持ちで見ています。彼に何かを無理強いする必要はないんです。本当に感動させられます。 長い間目指していた目標を達成した後にも関わらず、一生懸命に練習するモチベーションがあり、諦めずに努力しているのを見てとても感動しました。

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Program Music Announcements for the 2021/22 season

This post features skating program music and information for the 2021/22 season. For sources and links, please check out the Twitter thread. Men Skater Country Short Program Free Program Keiji Tanaka Japan 11170 CH edition 0706 (Evangelion soundtrack) Whiplash Jason Brown USA Sinnerman Schindler’s List Roman Sadovsky Canada Chasing Cars

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